When was shaping sound on dancing with the stars

They are all very unique artists who move in very different ways. They bring a different perspective to the room.

Each dancer in this show plays a very specific character, so as we were casting we had to keep that in mind, while also thinking about how they would blend in with the rest of the company.

I want each dancer to have their iconic moment, but when we are dancing together it should be like one flock of birds, singing the same song. Your company is also quite diverse. How might Shaping Sound be part of that conversation and a wider effort toward increasing diversity in dance? Our dancers come from everywhere and have very different training backgrounds. We have dancers from all over the country. Some of us have been on TV and commercials, some have graduated from Juilliard, some from Broadway and someone just out of high school.

What are your goals and visions going forward? This is our second show, and I have put everything I have into creating it. I have had to turn down other work as a choreographer to do this, but I believe in this company and this show that much. I am hoping After The Curtain tours all over the U. We are excited for our fans to see new work, and we are excited to welcome new lovers of dance and arts to experience this! By Kathryn Boland of Dance Informa. Your email address will not be published.

Save my name, email, and website in this browser for the next time I comment. Notify me of follow-up comments by email. Notify me of new posts by email.

Brooklyn Ballet, a unique and interdisciplinary dance company rooted in the classical idiom, presents two Dance Informa Magazine. Travis Wall's Shaping Sound. Share this:. Recommended for you. Click to comment. Leave a Reply Cancel reply Your email address will not be published. To Top. The choreography and execution exceeded anything I could have imagined.

The movement was exhilarating and athletic, constant and energetic. In another moment, Vincent, tied to invisible wires, begins flying across the stage, flipping and turning as the rest of the dancers move below him. A quieter duet shows Lily Chantel Aguirre and her alcoholic boyfriend Clyde Michael Keefe dancing together as Lily tries to remove his flask from his hand.

A bit heavy-handed, but well-executed nonetheless. The dancers, in spite — or perhaps because — of their commercial backgrounds, understood the stakes of the show, of the company performing within the company.

The characters, though sometimes ambiguous in terms of name and plot, emerged masterfully through movement. Watching Shaping Sound was like observing the work of a masterful painter, augmented by the immediacy of the performance, the expanse of the theater, and the swelling music. Sign in. The Yale Herald. Shaping Sound, Shaping Dance.

Sara Luzuriaga Follow. Dance Culture Volume Xix Issue 2. The Yale Herald Follow. Written by Sara Luzuriaga Follow. More From Medium. Some People Call Me Maurice. Paul Thomas. Rose Frey. Indian Express. Sutinee Auenyot. Blog Guru.